προσερχομένους

prosérchomai

To come or go toward, approach. In its primary sense, προσέρχομαι denotes the physical action of moving toward someone or something. In broader contexts, it extends to mean approaching in a social, legal, rhetorical, or religious sense, such as presenting oneself before a person, joining or aligning with a group, or (especially in religious texts) drawing near to a deity or a sacred place in the sense of engaging in worship or ritual activity. The word emphasizes intentionality or purposeful movement toward someone or something.

G4334

Hebrews 7:25 · Word #9

Lexicon G4334

Lemmaπροσέρχομαι
Transliterationprosérchomai
Strong'sG4334
DefinitionTo come or go toward, approach. In its primary sense, προσέρχομαι denotes the physical action of moving toward someone or something. In broader contexts, it extends to mean approaching in a social, legal, rhetorical, or religious sense, such as presenting oneself before a person, joining or aligning with a group, or (especially in religious texts) drawing near to a deity or a sacred place in the sense of engaging in worship or ritual activity. The word emphasizes intentionality or purposeful movement toward someone or something.

Morphology V PRS MID PTCP ACC M PL All morphology codes

Part of Speech V — Verb — An action or state of being
Tense PRS — Present — Ongoing or repeated action
Voice MID — Middle — The subject acts on itself or in its own interest
Mood PTCP — Participle — A verbal adjective
Case ACC — Accusative — Direct object or extent
Gender M — Masculine — Grammatical masculine
Number PL — Plural — More than one

Lexical Info

Lemmaπροσέρχομαι
Strong'sG4334

SIBI-P1 Translation G4334-15

those drawing near

Morphological NotesVerb; present tense (ongoing), middle voice (self-involved/deponent), participle; accusative masculine plural.
Rendering RationaleThe present middle participle denotes ongoing, intentional movement toward someone or something. "Those drawing near" preserves the participial force, plural masculine accusative form, and the middle voice’s sense of engaged approach.

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